Kemal, the apparent narrator of the story, is thirty and engaged to be married to Sibel when he meets again with Fusun and falls in love with her. He is the idle son of a wealthy businessman, and Sibel is the ‘perfect’ wife for him. Not only does she aspire to a sophisticated European lifestyle as Kemal’s family and social circle does, she can apparently even pick a fake designer handbag at a glance, a crucial skill in that milieu.
Sibel’s fatal mistake was to send Kemal back to the shop to exchange it, because that’s where his attraction to Fusun flourishes and they end up in bed together in no time. It’s the only place they fit together though, because socially, she is of poor family, low status and limited education. And we know from the very first lines that it’s never going to work out because of the narrator’s nostalgic tone and his declaration that taking Fusun to bed for the first time was the happiest moment in his life although he didn’t know it at the time. (p3)
I read and blogged this book on February 20th 2010. To read the rest of my review please visit http://anzlitlovers.wordpress.com/2010/02/20/the-museum-of-innocence-by-orhan-pamuk/