Peony by Pearl S. Buck
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Peony (1948), by Pearl S Buck

 

Pearl S Buck (1892-1973) was not the first woman to win the Nobel Prize, (that honour went to Swedish author Selma Lagerlöf in 1909) but she was the first woman to win it for literature written in English.  However, as the daughter of American missionaries who spent most of her life in Zhenjiang, China  before returning to the US in 1935, she is best known for her writing about China.  The Nobel citation was "for her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces".  Of these I have read The Good Earth (1931) in the days before I kept a blog or a reading journal, and I've have previously reviewed her Letter from Peking, (1957).   This first part of this review of Peony, (1948) comes from my 2006 Reading Journal #11, followed by my more recent thoughts from 2020. 

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Peony, is a deceptively simple story of star-crossed lovers divided by race, religion and class.  Written in 1948, it's an historical novel which explores the role of women in mid 19th century China.

Peony is a bondmaid in a Jewish family who lived in Kaifeng in China in the 1850s.  In the edition I read there was an Afterword*  which confirmed that there had been Jews in Kaifeng for a very long time, and that they were well-accepted by the Chinese as they never were elsewhere.  However, according to Buck, it was this assimilation which led to marrying 'out' and the gradual loss of their culture and religion.

*Probably by Wendy R. Abraham, but the book was from the library so I can't now be sure.

Although the novel is dominated by the story of Peony's doomed love for David, the son of the house of ben Ezra, it also explores Jewish beliefs and is critical of some aspects of their religion.

There is extensive dialogue about the incompatibility of the 19th century Chinese view of the world and the fundamentals of the Jewish religion.  Through the character of Kao Lien, a Chinese Jew, Buck is quite explicit about the separateness of Jews making them vulnerable to hatreds, and he tells his daughter Kueilin that she will not be happy if she marries into that family because they are a sorrowful people and they worship a cruel god.  Kung Chen, seeking to learn more about Judaism, rejects the concept of a Chosen People and tells the Rabbi that if there is a god, he would not select only The Chosen for salvation because under Heaven we are all one family. 

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Wikipedia tells me that Buck was, in the US, a prominent advocate of the rights of women and minority groups, but I am uneasy about anything that suggests any kind of justification for anti-Semitism, or which implies that minorities are in any way responsible for the irrational hatreds of other people.  However, though it is now well-established that the German genocide targeted all Jews, whether secular or orthodox, or assimilated for generations or not, I am inclined to think that Buck was, in the immediate aftermath of WW2, searching for some kind of explanation for the Holocaust and the comparative tolerance of the Chinese.  To put it another way, her response to the horror of the Holocaust may have been to explore within the society that she knew so well, the costs and benefits of assimilation as protection against it ever happening again.

I think now that Buck in this novel was exploring the vexed question of Jewish assimilation and identity.  Hatreds that fuelled pogroms elsewhere did not occur in China because the Jews were absorbed into Chinese society, but this was at the cost of their traditions and identity.  David's mother Madame Ezra represents orthodox separatists who feared the loss of a distinctive Jewish identity, and her intransigent refusal to modify her principles even at the cost of her son's happiness, shows the strength of her determination to protect her family's faith.

Buck's interest in this issue may also have been influenced by her own experience of being in a minority faith.  She was the daughter of Presbyterian missionaries, so she may also have been critiquing the contrasting worlds of restrictive religions in general, in terms of how they are incompatible with a more light-hearted, humanistic approach to life:

Pearl recalled in her memoir that she lived in "several worlds", one a "small, white, clean Presbyterian world of my parents", and the other the "big, loving merry not-too-clean Chinese world", and there was no communication between them. (Pearl Buck's page at Wikipedia, viewed 4/11/20)

I'd be interested to hear the interpretations of others who have read this book more recently...

Peony, by Pearl S Buck, first published in 1948, borrowed from Kingston Library.

© Lisa Hill

Cross-posted at ANZ LitLovers where you can join in a conversation about the book if you want to.


Peony by Pearl S. Buck

1948

Reviewed by Marianne from "Let's Read"

This book is the reason I fell in love with Pearl S. Buck. It must have been one of the first "adult" books I read and still, I remember it as if it had been yesterday.

Peony is a young servant (almost a slave) in a rich Chinese Jewish household. Her love to the son of the family cannot result in anything as traditional rules don't allow a marriage between them.

While we learn about Chinese traditions, the author also tells us about the life of the Kaifeng Jews of which I had nothing heard before (or after). We can again dive into the sea of knowledge Pearl S. Buck acquired about Chinese life when she spent most of her life there, starting when her missionary parents took her there at a very young age. I have loved reading about China ever since, both historical and present day novels as well as non-fiction. I would love to visit this highly interesting country one day.

However, other than a lot of her other novels, she tries to incorporate the multi-cultural theme into this one, the trial of assimilation. How far does an immigrant want to become like the people in his host nation. A wonderful account of two worlds colliding.

From the back cover:
"In 1850s China, a young girl, Peony, is sold to work as a bondmaid for a rich Jewish family in Kaifeng. Jews have lived for centuries in this region of the country, but by the mid-nineteenth century, assimilation has begun taking its toll on their small enclave. When Peony and the family’s son, David, grow up and fall in love with one another, they face strong opposition from every side. Tradition forbids the marriage, and the family already has a rabbi’s daughter in mind for David. 

Long celebrated for its subtle and even-handed treatment of colliding traditions, Peony is an engaging coming-of-age story about love, identity, and the tragedy and beauty found at the intersection of two disparate cultures.
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Pearl S. Buck received the Nobel Prize for Literature in 1938 "for her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces".

Read my other reviews of the Nobel Prize winners for Literature.

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